The Box Office is open from 12:00 till 20:00 (open for another 07:06, phone: +386 1 239 22 17).

Anna and the King Anna and the King

Andy Tennant / USA / 1999

Annelie Annelie

Josef von Báky / Germany / 1941

Annette Annette

Leos Carax / France, Germany, Belgium / 2021 / 140 min / English

Annette tells the story of Henry, a stand-up comedian with a fierce sense of humour and Ann, a singer of international renown. The birth of their first child, Annette, a mysterious girl with an exceptional destiny, will change their lives. Opening film of the Cannes Film Festival.

Anomalisa Anomalisa

Charlie Kaufman, Duke Johnson / USA / 2015 / 90 min / English, Japanese

Anora Anora

Sean Baker / USA / 2024 / 139 min / English

Shot in his signature style, Sean Baker’s comedy-drama continues the director’s deeply humanist exploration of social issues. Palme d’Or at the Cannes Film Festival.

Anselm Anselm

Wim Wenders / Germany / 2023 / 93 min / German, English

Using cutting-edge 3D technology, Wim Wenders takes us on a unique journey through the life and creations of Anselm Kiefer, one of Germany’s most important post-war artists. English subtitles.

Prudence and the Pill Prudence and the Pill

Fielder Cook, Ronald Neame / United Kingdom / 1968

Antigone - How Dare We! Antigona - Kako si upamo!

Jani Sever / Slovenia / 2020 / 86 min / Slovene

A film based on Slavoj Žižek’s play The Three Lives of Antigone. Praised as the heroic rebel against state power, Antigone seems to be a convenient ideal for the present age. But is Antigone truly an emancipatory hero – or is she part of the problem? It is time to lay bare the “disgusting murmur of life” in the world of right-wing fundamentalism, climate change, and stark inequality. Antigone – How Dare We! stands for political drama that addresses the most vital questions of our time.

Antichrist Antichrist

Lars von Trier / Denmark, Italy, Sweden, Germany, Poland, France / 2009 / 104 min / English

Anton poslednji Anton, der Letzte

E. W. Emo / Austria, Germany / 1939

Apocalypse Now Apocalypse Now

Francis Ford Copolla / USA / 1979 / 202 min / Slovene subtitles, English / 16+

The Apostle O Apóstolo

Fernando Cortizo / Spain / 2012 / 80 min / Swedish

April April

Dea Kulumbegashvili / France, Georgia, Italy / 2024 / 134 min / Georgian

After her critically acclaimed and multi-award-winning debut Beginning, Georgian director Dea Kulumbegashvili returns with another unique, visually captivating meditation on women trapped in the vicious cycle of patriarchy. Special Jury Prize in Venice.

April and the Extraordinary World Avril et le Monde truqué

Christian Desmares, Franck Ekinci / France / 2015 / 105 min / Slovene subtitles, French / 10+

Enchanted April Enchanted April

Mike Newell / United Kingdom / 1991

Aquarius Aquarius

Kleber Mendonça Filho / Brazil, France / 2016 / 146 min / Portuguese

Sônia Braga gives a powerful performance in this touching story of a woman who rejects the systems that dictate that what is new is always better. A must-watch for vinyl lovers.

Arabella Arabella

Karl Grune / Germany / 1924

Araby Arábia

João Dumans, Affonso Uchoa / Brazil / 2017 / 96 min / Portuguese

The enigmatically structured, multilayered portrayal of a factory worker Cristiano is a critical, socially engaged examination of the contemporary Brazilian working class.

Araf – Somewhere in Between Araf

Yesim Ustaoglu / Turkey, Germany, France / 2012 / 124 min

Arcadia Arcadia

Olivia Silver / USA / 2012 / 90 min / Slovene subtitles, English / 11+

Archeo Archeo

Jan Cvitkovič / Slovenia, Hungary, Italy / 2011 / 72 min / No dialogue

Blood and Sand Blood and Sand

Fred Niblo / USA / 1922

The Capture The Capture

John Sturges / USA / 1950

Architecton Architecton

Viktor Kosakovski / Germany, USA, France / 2024 / 98 min / Italian, English

An epic, intimate and poetic meditation on architecture and how the design and construction of buildings from the ancient past reveal our destruction — and offer hope for survival and a way forward. Centring on a landscape project by the Italian architect Michele De Lucchi, Kossakovsky uses the circle to reflect on the rise and fall of civilizations.