TRI NOTE ZA KLARINET / TROIS NOTES DE CLARINETTE / THREE NOTES FOR CLARINET
Anne Baillod (Ivanko films) Švica/Switzerland, 2008, 35mm, 6′
Glasba na notnih straneh, ki se obračajo v vetru, uvede film in prebudi raznolike elemente, ki odrecitirajo pesem Nicolasa Bouviera. Potovanje se konča zgodaj zjutraj nekje v Tabrizu.
The film begins on a musical score whose pages are turned by the wind and which brings to life various elements which will narrate the poem by Nicolas Bouvier. The voyage ends in Tabriz in the early morning hours.
MORSKA DEKLICA IN RIBIČ / A SELLŐ ÉS A HALÁSZ / THE MERMAID AND THE FISHERMAN
Kinga Rofusz (MA-RA Film) Madžarska/Hungary, 2009, Beta SP, 10′
Morska deklica popolnoma spremeni ribičevo običajno življenje.
A mermaid completely changes a fisherman’s ordinary life.
EX PASSU
Anka Kočevar (ALU Ljubljana) Slovenija/Slovenia, 2009, digiBeta, 4′
Film je, bolj kot pripoved, pesem-šepet o žitju in sožitju …
More than a narrative, the film is a poem-whisper about life and living together…
LILI
Riho Unt (OÜ Nukufilm) Estonija/Estonia, 2008, 35mm, 14’15”
Smrtno ranjeni vojak in gruča lačnih podgan iščejo odgovor na vprašanje: »Kdo je Lili Marleen?« – spomin na prvo ljubezen preteklega časa ali prvi obisk pri prostitutki? Lili ni le neznana junakinja pesmi. Vsak vojak ima svojo Lili, pa naj je to prva ljubezen, prostitutka ali zgolj fantazma.
A mortally wounded soldier and a bunch of hungry rats from the battlefield try to find an answer to the question “Who is Lili Marleen?”, is it a memory of the first love of passed times or the first intercourse with a prostitute? Lili is not only a distant heroine from a song. Every soldier has his own Lili, whether she is a first love, a prostitute or simply a phantasm.
o68
Lia Avstrija/Austria, 2008, Beta SP, 6′
Rezultat najnovejšega sodelovanja Lie in @c se iz strogo vizualnega vrača v glasbeni prostor. Kompozicija išče približek minimalizmu 20. stoletja, tako v tonskih kot formalnih vidikih. Ta konceptualni pristop se izteče v reducirano paleto barv in form ter sinhronizacijo kompozicije z udarci metronoma.
The current @c and Lia’s collaboration is crossing over from the strictly visual field and stepping back into the musical front. The composition searches for a proximity to 20th century minimalism, in tonal and formal aspects. This conceptual approach led to the reduced palette of colors and forms, syncing the composition to the ticking of a metronome.
ZALIV / ZATOKA / BAY
Adela Kaczmarek (ASP Krakow) Poljska/Poland, 2008, Beta SP, 14’25”
V mali obmorski vasici se pojavi nerazložljiv fenomen. Morje naplavlja na obalo neznano škrlatno snov. Nasičeni zrak omamlja vaščane in jih sili v prav nenavadno iskanje.
In a small village by the sea side an inexplicable phenomenon occurs. Volumes of purple matter are flowing from the water. Saturated air fascinates and urges the villagers to undertake an uncommon seeking.
MEHANSKA PRAVLJICA / MASCHINENMÄRCHEN / MACHINE FAIRY TALE
Michael Ammer (UaK Vienna) Avstrija/Austria, 2008, digiBeta, 9’40”
V filmu o našem odnosu do strojev trčita svetova, ki sta na prvi pogled tako različna – svet senčnih lutk in svet tehnologije. Uporabljena tehnika je podobna tehniki senčnih lutk: liki so izrezani iz papirja in projicirani na zadnjo stran papirnatega zaslona. Iz posameznih fotografij, posnetih s sprednje strani, je nastal film.
The film is about our relation to machines. The worlds that appear to be different at first sight – the world of shadow play and the world of technology – collide. The technique resembles that used in shadow play: The figures were created as paper cut-outs and projected on the back side of a paper screen. Single pictures taken from the front later merged into a film.
MAMA
Géza M. Tóth (KEDD Animation Studio) Madžarska/Hungary, 2009, 35mm, 9’20”
Zgodba o krogu »obešanja«.
A tale of a worldwide »hanging out«.
V DEŽELI GLAV / AU PAYS DES TÊTES / LAND OF THE HEADS
Cédric Louis, Claude Barras (Hélium Films/NFB Canada/TSR, Télévision Suisse Romande/SRG SSR idée Suisse) Švica, Kanada/ Switzerland, Canada, 2009, 35mm, 5’55”
Na gradu imajo težave. Nevesta je izgubila glavo, njen nesrečni mož pa misli le na svojo harmoniko. Žena ga pošlje poiskat svoj novi, mlajši obraz.
There’s a crisis in the castle. The bride has lost her head, while her miserable husband only has eyes for his accordion. The woman orders her man to go in search of a new, younger face.