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Animateka 2013

Jury Programme: Dennis Tupicoff Presents Žirija se predstavlja: Dennis Tupicoff predstavlja

Australia

Dance of Death

For thrill-seeking young Sally, faced with a welter of variety, sports and news programmes, changing TV channels itself becomes a Dance of Death. As a reminder of our mortality, the human skeleton has long had a place in art, folklore and humour. This cartoon on television violence features the skeletal entertainer Don Death himself.

The Darra Dogs

When my brothers and I grew up in Darra in the 1950s, every house seemed to have a dog. They were friends who shared our lives and explorations, and roamed free. None of them lasted very long. The Darra Dogs remembers the mortal terrors of childhood, the sadness of death and loss, the not-knowing of so much – and the dogs themselves.

His Mother’s Voice

Originally a radio interview, Kathy Easdale’s monologue describes how she found out about the death of her son Matthew. Kathy builds a detailed and compelling account of hope, discovery and grief; breath by breath she declares her love for her son. His Mother's Voice uses the same voice twice, with two different narratives and different approaches to colour, cutting and sound, to present two views of love and death.

Into the Dark

In a hospital emergency, surrounded by frantic activity and noise, a man nears death. Spiked with hallucinations, his mind also goes back to the calm evenings of his childhood. Under the tree he would wait for the birds and shoot them with his air-rifle. In the bathroom – deaf, blind and naked – he would become airborne and feel nothing.

Chainsaw

Frank and Ava Gardner live out in the Australian countryside, amongst the kookaburras and the cattle. Their jobs are menial, but they are true romantics at heart. Moving between fact and fiction, Hollywood and Spain, past and present, Chainsaw is a chain of stories about romance and celebrity, machismo and chainsaws, fantasy and death. And how the natural world endures.

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What's On

Hamnet Hamnet

Chloé Zhao

Friday, 13. 02. 2026 / 15:10 / Main Hall

Chloé Zhao (Nomadland) imagines how a tragedy from Shakespeare’s real life might have inspired the creation of his timeless masterpiece Hamlet. Starring the exceptional Jessie Buckley and Paul Mescal, the film is a moving story about love, loss, and the healing power of art.

Venom Gift

Knud Leif Thomsen

Friday, 13. 02. 2026 / 17:45 / Main Hall

Thomsen’s Danish-style Teorema (1968) predating Pasolini’s is as double-edged as its title (gift meaning both “poison” and “married”). The director conceived it as a polemical tract against pornography and the moral decay of Danish society. But by filling it with nudity and hardcore snippets, he ironically paved the way for a censorship-free Denmark, which in 1969 became the first country to legalize pornography. The censors covered the explicit scenes with thick white crosses (making them somehow even more obscene). And it is precisely on such a historical 35mm print that we will have the pleasure to see the film!

Six Swedish Girls in a Boarding School Sechs Schwedinnen im Pensionat

Erwin C. Dietrich

Friday, 13. 02. 2026 / 20:10 / Main Hall

The first lady of French porno chic, Brigitte Lahaie, returns in the original instalment of the cheeky fan favourite Six Swedish Girls at a Boarding School—taking place before the young Swedes found employment at a gas station and well-deserved holidays in Ibiza and the Alps. Directed by the “Swiss Roger Corman”, Erwin C. Dietrich, the evergreen hit from our Socialist past and the once notorious erotic Kino Sloga is bursting at the seams with zany humour, mechanical invention, and healthy minds in oh, such healthy bodies.