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Animateka 2018

Competition Programme IV (2018) Tekmovalni program IV (2018)

various / 67 min

12.
Davorin Marc (Davorin Marc)
Slovenia, 2018, 35 mm, 1'33"

We are watching: a mosaic, printed (onto a self-adhesive transparent film), cut and applied to the front and back sides of 35mm clear leader. We hear: a piece of text, converted into barcode, printed (onto a self-adhesive transparent film), cut and applied to 35mm clear leader.

Neputovanja / Untravel
Ana Nedeljković, Nikola Majdak Jr. (Baš Čelik/BFilm/Your Dreams Factory)
Serbia, Slovakia, 2018, digital, 9'20"

A film about (local) patriotism, tourism and emigration. The girl lives in a grey, isolated country, enclosed by a huge wall. She has never travelled anywhere, but all her life she has dreamt of leaving forever for a perfect world called “Abroad”.

Elektrika Diena / Electrician's Day
Vladimir Leschiov (Lunohod)
Latvia, 2018, digital, 8'44"

It all started with a power outage.

Selfies
Claudius Gentinetta (Gentinettafilm)
Switzerland, 2018, digital, 3'40"

In a veritable firework display of digital self-portraits, hundreds of quaint, embarrassing and dreadfully disturbing selfies were arranged in a unique short film composition. Single photos, artistically reworked, consolidate to form a ghastly grin that outshines the abyss of human existence.

Monštrum / Monster
Martin Snopek (Trik Film)
Slovakia, 2018, digital, 7'08"

Monster is a short story dealing with the universal theme of human fear and threat. It explores the topic of global disasters which are triggered through someone powerful at the top of the pyramid. Unfortunately, this is currently a highly topical issue.

Hukule Määratud / Destined To Be Dead
Francesco Rosso (Eesti Joonisfilm)
Estonia, 2018, digital, 10'50"

In a place where all tracks are gone and the fallen trees embrace the rubble, someone sits in the Indian summer’s crispy grass, and says peace unto himself. Things felt cannot be erased, but they fade into wisdom for the future. Maybe it is not earthly this road I have to walk, but how can I know if I am subjected to gravitation?

La nostra storia / Our Story
Lorenzo Latrofa (La Sarraz Pictures)
Italy, 2018, digital, 4'31"

Emigration is a common territory that has involved many people all over the world. The stories of today's emigrants are the stories of our past. Their 'story' is our story. It is everyone's story.

Jedan od mnogih / One Of Many
Petra Zlonoga (Bonobostudio)
Croatia, 2018, digital, 5'25"

I am one. One of many. One of everyone yet the only one. What is it that I am looking for, that always seems out of reach?

Maria Ja 7 Pöialpoissi / Mary And 7 Dwarfs
Riho Unt (OÜ Nukufilm)
Estonia, 2018, digital, 12'30"

Having spent her entire life behind the convent walls, old and dignified nun Maria has decided to fulfil her childhood dream. The only obstacle in her way is her fragmentary, almost non-existent memory. Maria is afraid that her ultimate dream may turn out to be a sin instead.

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What's On

My Summer Holiday Poletne počitnice

Petra Seliškar

Thursday, 18. 09. 2025 / 15:30 / Main Hall

A little shepherd spends his summers high in the mountains together with his dog friends.

Wisdom of Happiness Wisdom of Happiness

Barbara Miller, Philip Delaquis

Thursday, 18. 09. 2025 / 16:00 / Small Hall

With disarming wit, the Dalai Lama reflects on balancing millennia-old Tibetan Buddhist traditions with the contemporary values of our globalised society that now struggles to overcome violence and war while standing on the brink of environmental collapse.

Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 18. 09. 2025 / 17:00 / Main Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.