“Fiume o morte! is a film on poetry, dynamite, cocaine, machine guns, football, airplanes, furniture flying out of windows, concerts, prisons, sunbathing, thousands of soldiers, millions of bullets, endless speeches, a platypus and on the power of political performativity. D’Annunzio might as well be considered its trailblazer heralding some of the biggest masters of ghastly political showmanship of our age.” (Igor Bezinović)
Fiume o morte! Fiume o morte!
On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.
What's On
Additional Screening
Once Upon a Time in Soča Valley Nekoč v Posočju
Ema Kugler
Friday, 04. 04. 2025 / 16:15 / Main Hall
A poetic documentary about the old faith in the Soča Valley, passed down orally from generation to generation.
No Other Land No Other Land
Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor
Friday, 04. 04. 2025 / 17:15 / Small Hall
Palestinian activist Basel Adra has been documenting for years how Israeli occupiers destroy villages in his home region of Masafer Yatta. While fighting to preserve his community, he forms an unexpected alliance with Israeli journalist Yuval Abraham…
LUX PRIZE
Intercepted Intercepted
Oksana Karpovič
Friday, 04. 04. 2025 / 18:15 / Main Hall
Ukrainian intelligence services have intercepted thousands of phone calls Russian soldiers made from the battlefield in Ukraine to their families and friends in Russia, painting a stark picture of the cruelty of war in a dizzying emotional tension. Juxtaposed with images of the destruction caused by the invasion, the voices of the Russian soldiers – ranging from being filled with heroic illusions to complete disappointment and loss of reason, from looting to committing more horrible war crimes, from propaganda to doubt and disillusionment – expose the whole scope of the dehumanizing power.