Elise wakes up one morning with a strange feeling... there is something special about this day, but she can’t quite put her finger on it. Unsuccessfully, she tries to explain to her family and friends that this day is different from any other day. So Elise sets out on an incredible journey on her own and through new and unexpected friendships, she rediscovers the joy of Christmas. Now it’s up to her to make sure her whole village experiences a Christmas they will never forget. But the clock is ticking - will she make it before it’s too late?
»When diving into the universe of Forgotten Christmas, it was important to take the Alf Prøysen and the Norwegian fairytale heritage seriously by not trying to modernize the storyand the universe too much. The effort was to continue the successful essence from the firstfilm, Santa Swap. It became important to adopt the same warmth, humor and the joy of Christmas traditions from the first film further into the second film. /.../ In other words, what we see within the frame should come across as real and authentic, things you can touch and feel. Not glossy imagery filled with bright colors and perfection, but warm and cozy imagery with a hint of quirkiness. A traditional fairytale with a dash of magic feel. /.../ Teaching empathy to our children is important. So as a director I feel responsible to createcharacters with diverse features who portrays a variation of feelings. To communicate thecharacter’s feelings to the children watching the film, rather than telling them explicitly whatto feel, is essential in this story and to me as a director.«
- Andrea Eckerbom, the director
Forgotten Christmas Snekker Andersen og Julenissen: Den vesle bygda som glømte at det var jul
What's On
Cent’anni Cent’anni
Maja Doroteja Prelog
Sunday, 24. 11. 2024 / 17:00 / Main Hall
An emotional rollercoaster with heart-wrenching confessions and poetic visuals in the midst of beautiful natural sceneries, an unfiltered testament to love and change.
Dahomey Dahomey
Mati Diop
Sunday, 24. 11. 2024 / 19:30 / Main Hall
In her beguiling work of speculative documentary the young French-Senegalese filmmaker charts the repatriation of stolen artefacts to Benin, interrogating colonial legacies, ancestry and the weight of history.
Good One Good One
India Donaldson
Sunday, 24. 11. 2024 / 21:10 / Main Hall
17-year-old Sam goes on a camping trip with her father and his best friend. The two men josh and joke as they hike, stressing about their careers and cracking dirty jokes. Sam mostly puts up with it – until one of them crosses the line.