Film archive
I Do Not Care If We Go Down in History as Barbarians Îmi este indiferent dacă în istorie vom intra ca barbari
Radu Jude / Romania, Germany, France / 2018 / 138 min / Romanian
Radu Jude (Bravo!) returns with another provocative, insightful and surprisingly entertaining adventure in a murky Romanian past. Winner for best film at Karlovy Vary film festival.
Ali: Fear Eats the Soul Angst essen Seele auf
Rainer Werner Fassbinder / Germany / 1974 / 93 min / Slovene subtitles, German / 16+
All the Boys Love Mandy Lane All the Boys Love Mandy Lane
Jonathan Levine / USA / 2006 / 90 min / English
All of Us Strangers All of Us Strangers
Andrew Haigh / United Kingdom, USA / 2023 / 105 min / English
Andrew Haigh’s film (45 Years) is a nostalgic, dreamy story about loss, loneliness and the power of love.
All We Imagine as Light All We Imagine as Light
Payal Kapadia / India, Netherlands, Luxembourg, USA, France / 2024 / 114 min
Young up-and-coming Indian filmmaker, Payal Kapadia, crowns her fiction debut with the Grand Prix at the Cannes Film Festival.
Everybody Knows Todos lo saben
Asghar Farhadi / France, Italy, Spain / 2018 / 132 min / English, Spanish, Catalan
Laura and her children travel from Buenos Aires to the quaint Spanish village where she was born to attend her sister’s wedding. But unexpected events lead this gathering towards a crisis which exposes the family’s hidden past.
The Fire Within: A Requiem for Katia and Maurice Krafft The Fire Within: A Requiem for Katia and Maurice Krafft
Werner Herzog / USA, Switzerland, United Kingdom, France / 2022 / 84 min
On 3 June 1991, a deadly cloud of hot gas and rock spewed out of Japan’s Mount Unzen. Among the 43 people consumed by it were scientist-filmmakers Maurice and Katia Krafft. They left behind over 200 hours of footage from their decades of work, which Herzog draws on for this stunning eulogy.
The Taking The Taking
Alexandre O. Philippe / USA / 2021 / 76 min / English
The latest film from documentary filmmaker Alexandre O. Philippe (Leap of Faith: William Friedkin on The Exorcist) is a radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939).