Film archive
The New Year That Never Came Anul Nou care n-a fost
Bogdan Muresanu / Romania, Serbia / 2024 / 138 min / Romanian
The fall of the communist regime in Romania as seen through the eyes of six ordinary people, Muresanu’s debut feature captures the exhilarating impact of history in the making.
Apha. Apha.
Jan-Willem van Ewijk / Netherlands, Switzerland, Slovenia / 2024 / 100 min / Dutch, English
In this existential adventure, and a psychological study into male competitiveness, a father and son venture into the snowy mountains where they collide head-on, both with the overwhelming nature surrounding them and with each other.
Apocalypse Now Apocalypse Now
Francis Ford Copolla / USA / 1979 / 202 min / Slovene subtitles, English / 16+
Approaching the Elephant Approaching the Elephant
Amanda Wilder / USA / 2014 / 89 min / Slovene subtitles, English / 12+
April April
Dea Kulumbegashvili / France, Georgia, Italy / 2024 / 134 min / Georgian
After her critically acclaimed and multi-award-winning debut Beginning, Georgian director Dea Kulumbegashvili returns with another unique, visually captivating meditation on women trapped in the vicious cycle of patriarchy. Special Jury Prize in Venice.
Aquarius Aquarius
Kleber Mendonça Filho / Brazil, France / 2016 / 146 min / Portuguese
Sônia Braga gives a powerful performance in this touching story of a woman who rejects the systems that dictate that what is new is always better. A must-watch for vinyl lovers.
This Dear Month of August Aquele Querido Mês de Agosto
Miguel Gomes / Portugal, France / 2008 / 147 min / English, French, Portuguese
Araby Arábia
João Dumans, Affonso Uchoa / Brazil / 2017 / 96 min / Portuguese
The enigmatically structured, multilayered portrayal of a factory worker Cristiano is a critical, socially engaged examination of the contemporary Brazilian working class.
Architecton Architecton
Viktor Kosakovski / Germany, USA, France / 2024 / 98 min / Italian, English
An epic, intimate and poetic meditation on architecture and how the design and construction of buildings from the ancient past reveal our destruction — and offer hope for survival and a way forward. Centring on a landscape project by the Italian architect Michele De Lucchi, Kossakovsky uses the circle to reflect on the rise and fall of civilizations.