Youth work actions were an inseparable part of socialist Yugoslavia. Through voluntary work, thousands of young brigadiers, both men and women, have contributed towards developing the country and the realisation of key infrastructure projects such as motorways, railways, bridges, tunnels, factories, residential buildings, schools, hospitals, and parks. One of these projects was the Šamac–Sarajevo railway, built in 1947 in a mere seven months. Young people from Yugoslavia were joined by a number of brigadiers from Italy, Great Britain, Greece, France, Denmark, Sweden, Palestine, and so on.
During the war in the nineties, the railway was damaged. The later Dayton Agreement cut it in two while its vital parts were privatised. The last train on the Šamac–Sarajevo line pulled out in 2011. Today, the rails are often used by people on their way to a better future.
Newsreel 242 – Sunny Railways Obzornik 242 – Sunčane pruge
Photos
What's On
Little Trouble Girls Kaj ti je deklica
Urška Djukić
Friday, 14. 03. 2025 / 16:30 / Main Hall
Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.
TWST: Things We Said Today TWST: Things We Said Today
Andrej Ujica
Friday, 14. 03. 2025 / 18:30 / Main Hall
The film takes as its starting point the arrival of the Beatles in New York for their August 1965 concert at Shea Stadium, and as its title a Beatles song that already anticipates a time when the present moment will have become a haunting past, neither retrievable nor forgettable. But the frame of reference steadily broadens. Adjacent realities of 1965 are juxtaposed—the New York World’s Fair, the Watts riots filtering through from the East Coast on television…
Dahomey Dahomey
Mati Diop
Friday, 14. 03. 2025 / 19:00 / Small Hall
In her beguiling work of speculative documentary the young French-Senegalese filmmaker charts the repatriation of stolen artefacts to Benin, interrogating colonial legacies, ancestry and the weight of history.