Lampo, the Travelling Dog O psie, który jezdzil koleja
directed by Magdalena Nieć, screenplay Marcin Siemiątkowski, Mojca Tirš, cinematography Andrzej Wojciechowski, editing Jakub Motylewski, animation Tytus Aleksandrowicz, music Lukasz Pieprzyk, cast Liliana Zajbert, Mateusz Damięcki, Monika Pikuła,
festivals, awards
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Polish actress and writer, born in 1982 in Nysa, Poland. She graduated from the Academy of Theatre Arts in Krakow. From 1999 to 2007, she was a member of the acting ensemble at the Ludowy Theater in Krakow, and played at the Contemporary Theater in Warsaw between 2007 and 2014. “The story presented in the film shows that sometimes children will encounter a problem, but they must remember that they are not alone. That they cannot give up because they have wonderful people around them. I want to show parents who come to the cinema with their children that toddlers, teenagers, have their own subjectivity. In the film, there is room for children to scream, be sad, and angry. I also found space for adults and their mistakes – because such mistakes, despite great love for the child, often happen.” - Magdalena Nieć
What's On
God Will not Help Bog neće pomoći
Hana Jušić
Monday, 29. 06. 2026 / 18:10 / Main Hall
The second feature film from Hana Jušić (Quit Staring at My Plate) is a darkly poetic neo-Western about a mysterious Chilean woman who brings unrest to a traditional Croatian shepherding community at the beginning of the 20th century. Blending elements of Wuthering Heights, Croatian folklore, and Jane Campion’s The Piano, the film earned its two leading actresses an award at Locarno.
The Love That Remains Ástin sem eftir er
Hlynur Pálmason
Monday, 29. 06. 2026 / 21:30 / Kinodvorišče
An intimate look into the life of an Icelandic family as the parents navigate their separation. Featuring the director’s own children, the film explores the complexities of fading love and the impact of shared memories.
Nouvelle Vague Nouvelle Vague
Richard Linklater
Tuesday, 30. 06. 2026 / 18:45 / Main Hall
Shot in the style of its subject, i.e. in black and white and with little-known actors, Nouvelle Vague looks at the making of Jean-Luc Godard’s iconic debut film, Breathless.


