It's the end of the school year. The long-awaited holidays have finally arrived. Little Nicholas, his parents and Granny hit the road heading for the sea, and move into the Beau-Rivage Hotel. At the beach, Nicholas wastes little time making new friends: there's Ben, who isn't on holiday because he lives here; Freddy, who eats anything, all the time... Even fish... raw. There's George, who talks funny because he's English, Paul the constant crybaby and Christopher, who always wants to be right and is really, really annoying. Nicholas also gets to know Elizabeth, a little girl who follows him everywhere, wide-eyed. "How sweet, those two. I hear wedding bells in the future," laugh the grown-ups. Nicholas panics! Luckily his pals are there to help him... and to cause trouble. Between the beach, the hotel and the forest, with his friends, his family, the beach attendant and the swimming coach, Nicholas is really going to enjoy a holiday to remember.
With millions of books sold and his first big screen debut a worldwide hit, Little Nicholas returns to enchant kids and adults alike in a new adventure adapted from the third book of Goscinny and Sempé's classic series.
Nicholas on Holiday Les vacances du petit Nicolas
What's On
Piro Piro Piro Piro
Baek Mi-young, Min Sung-ah
Saturday, 29. 03. 2025 / 10:00 / Main Hall
A programme of short animated films from South Korea with no dialogues, invite young viewers into a pastel-coloured, poetic and tender world dominated entirely by birds, butterflies, rabbits and flowers.
Into the Wonderwoods Angelo dans la forêt mystérieuse
Vincent Paronnaud, Alexis Ducord
Saturday, 29. 03. 2025 / 11:30 / Main Hall
10-year-old Angelo dreams of being an adventurer and explorer.
Maria Maria
Pablo Larraín
Saturday, 29. 03. 2025 / 13:20 / Main Hall
Chilean director Pablo Larraín, known for Jackie and Spencer, returns with the third instalment of his unofficial trilogy about iconic, tragic women of the 20th century. The film imagines the last week in the life of the legendary opera diva Maria Callas as she struggles with the increasingly blurred lines between the celebrated ‘La Callas’ and the vulnerable, fragile Maria.