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Screenings

Wednesday, 09. 04. 2025 / 16:00 / Main Hall
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Little Trouble Girls Kaj ti je deklica

Urška Djukić / Slovenia, Serbia, Italy, Croatia / 2025 / 89 min / Slovene

Screenings

Wednesday, 09. 04. 2025 / 16:00 / Main Hall
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Urška Djukić's (Granny's Sexual Life) debut feature explores the power of girls' voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year's Berlinale.

Introverted 16-year-old Lucia joins the all-girls choir at her Catholic school, where she befriends Ana-Maria, a popular and flirty third-year student. During a weekend retreat at a remote countryside convent for intensive rehearsals, Lucia’s growing fascination with a dark-eyed restoration worker begins to strain her bond with Ana-Maria and the rest of the choir. Amid unfamiliar surroundings and the stirrings of her budding sexuality, Lucia finds herself questioning her beliefs and values. As these new desires emerge, they threaten to disrupt not only her relationships but also the harmony of the choir.

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What's On

Additional Screening

Once Upon a Time in Soča Valley Nekoč v Posočju

Ema Kugler

Friday, 04. 04. 2025 / 16:15 / Main Hall

A poetic documentary about the old faith in the Soča Valley, passed down orally from generation to generation.

No Other Land No Other Land

Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor

Friday, 04. 04. 2025 / 17:15 / Small Hall

Palestinian activist Basel Adra has been documenting for years how Israeli occupiers destroy villages in his home region of Masafer Yatta. While fighting to preserve his community, he forms an unexpected alliance with Israeli journalist Yuval Abraham…

LUX PRIZE

Intercepted Intercepted

Oksana Karpovič

Friday, 04. 04. 2025 / 18:15 / Main Hall

Ukrainian intelligence services have intercepted thousands of phone calls Russian soldiers made from the battlefield in Ukraine to their families and friends in Russia, painting a stark picture of the cruelty of war in a dizzying emotional tension. Juxtaposed with images of the destruction caused by the invasion, the voices of the Russian soldiers – ranging from being filled with heroic illusions to complete disappointment and loss of reason, from looting to committing more horrible war crimes, from propaganda to doubt and disillusionment – expose the whole scope of the dehumanizing power.