The Box Office is open from 10:00 till 20:00 (will open in 11m).

Screenings

Sunday, 23. 03. 2025 / 20:00 / Small Hall
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Monday, 24. 03. 2025 / 18:30 / Small Hall
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Wednesday, 09. 04. 2025 / 18:00 / Main Hall

LUX PRIZE

Free admission; tickets availabe at the box office from 26 March.

From 5 March 2025

Dahomey Dahomey

Mati Diop / Senegal, Benin, France / 2024 / 67 min / fon, English, French

Screenings

Sunday, 23. 03. 2025 / 20:00 / Small Hall
Asset 1
Monday, 24. 03. 2025 / 18:30 / Small Hall
Asset 1
Wednesday, 09. 04. 2025 / 18:00 / Main Hall

LUX PRIZE

Free admission; tickets availabe at the box office from 26 March.

In her beguiling work of speculative documentary the young French-Senegalese filmmaker charts the repatriation of stolen artefacts to Benin, interrogating colonial legacies, ancestry and the weight of history.

cast Gildas Adannou, Habib Ahandessi, Joséa Guedje

festivals, awards Berlinale 2024 (Golden Bear), Zagreb 2024 (Movies That Matter Award)

IMDb

Photos

November 2021. 26 royal treasures of the Kingdom of Dahomey are about to leave Paris to return to their country of origin, the present-day Republic of Benin. Along with thousands of others, these artefacts were plundered by French colonial troops in 1892. But what attitude to adopt to these ancestors’ homecoming in a country that had to forge ahead in their absence? The debate rages among students at the University of Abomey-Calavi. Is the return of a small portion of looted artefacts after years of formal efforts really a cause for (triumphal) celebration, or is it just another gracious gesture of the all-powerful West? And have you ever considered what the silent statues – if only they had a voice – would have to say about their repatriation more than a century later.

“The idea came in the wake of Emmanuel Macron's speech in 2017, when the French president suddenly announced that all African heritage would have to be returned within five years. The announcement /…/ was like a kind of slap in the face. The slap in the face was the realization that the question of African heritage, monopolized by European museums, was something I had never thought about.” (Mati Diop)

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