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    • Screenings

    Tuesday, 24. 12. 2024 / 18:00 / Small Hall
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    Wednesday, 25. 12. 2024 / 19:00 / Small Hall
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    Thursday, 26. 12. 2024 / 19:30 / Small Hall
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    Friday, 27. 12. 2024 / 19:45 / Small Hall
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    Saturday, 28. 12. 2024 / 17:30 / Small Hall
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    Sunday, 29. 12. 2024 / 18:00 / Small Hall
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    Sunday, 29. 12. 2024 / 20:30 / Small Hall
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    Monday, 30. 12. 2024 / 18:30 / Small Hall
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    Wednesday, 01. 01. 2025 / 19:15 / Small Hall
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    Thursday, 02. 01. 2025 / 20:00 / Small Hall
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    Friday, 03. 01. 2025 / 17:30 / Small Hall
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    Saturday, 04. 01. 2025 / 20:00 / Small Hall
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    Sunday, 05. 01. 2025 / 20:00 / Small Hall
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    Tuesday, 07. 01. 2025 / 19:30 / Small Hall
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    Wednesday, 08. 01. 2025 / 18:00 / Small Hall
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    Cent’anni Cent’anni

    Maja Doroteja Prelog / Slovenia, Serbia, Austria, Italy, Poland / 2024 / 87 min / Slovene

    Screenings

    Tuesday, 24. 12. 2024 / 18:00 / Small Hall
    Asset 1
    Wednesday, 25. 12. 2024 / 19:00 / Small Hall
    Asset 1
    Thursday, 26. 12. 2024 / 19:30 / Small Hall
    Asset 1
    Friday, 27. 12. 2024 / 19:45 / Small Hall
    Asset 1
    Saturday, 28. 12. 2024 / 17:30 / Small Hall
    Asset 1
    Sunday, 29. 12. 2024 / 18:00 / Small Hall
    Asset 1
    Sunday, 29. 12. 2024 / 20:30 / Small Hall
    Asset 1
    Monday, 30. 12. 2024 / 18:30 / Small Hall
    Asset 1
    Wednesday, 01. 01. 2025 / 19:15 / Small Hall
    Asset 1
    Thursday, 02. 01. 2025 / 20:00 / Small Hall
    Asset 1
    Friday, 03. 01. 2025 / 17:30 / Small Hall
    Asset 1
    Saturday, 04. 01. 2025 / 20:00 / Small Hall
    Asset 1
    Sunday, 05. 01. 2025 / 20:00 / Small Hall
    Asset 1
    Tuesday, 07. 01. 2025 / 19:30 / Small Hall
    Asset 1
    Wednesday, 08. 01. 2025 / 18:00 / Small Hall
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    An emotional rollercoaster with heart-wrenching confessions and poetic visuals in the midst of beautiful natural sceneries, an unfiltered testament to love and change.

    IMDb Slovenian Film Database

    Photos

    All photos

    After surviving a terminal illness diagnosis, Blaž sets off to a gruelling celebratory Giro d'Italia. With him is his partner, filmmaker Maja, tasked with capturing the triumphant biking tour. What was initially planned as a ride from the Dolomites to Sicily to reclaim control of one's own life and celebrate overcoming their greatest fear, soon becomes a journey of self-discovery for the couple. The focus now shifts on Maja's experience and needs.

    “I saw the film as an opportunity for a return to ‘normal life’ after a traumatic experience, to finally free ourselves from fear and isolation. But the grand journey we had planned did not go as planned, turning Cent'anni into an honest confession and a painful analogy of our relationship.” (Maja Doroteja Prelog)

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