What's On
Joker: Folie à Deux Joker: Folie à Deux
Todd Phillips
Sunday, 03. 11. 2024 / 11:00 / Main Hall
Struggling with his dual identity, failed comedian Arthur Fleck meets the love of his life, Harley Quinn, while incarcerated at Arkham State Hospital.
Anselm Anselm
Wim Wenders
Sunday, 03. 11. 2024 / 19:00 / Main Hall
Using cutting-edge 3D technology, Wim Wenders takes us on a unique journey through the life and creations of Anselm Kiefer, one of Germany’s most important post-war artists. English subtitles.
Bottlemen Flašaroši
Nemanja Vojinović
Sunday, 03. 11. 2024 / 20:15 / Small Hall
This visually stunning observational documentary is a tribute to a lively, important yet invisible community. An ecological western, shot in the former cradle of Neolithic Europe, it holds a mirror to contemporary mass consumer culture.
9th Kinotrip Festival
Kinodvor’s award-winning educational program for children and young people. It seeks to introduce the next generation of cinephiles to the magic of cinema. Kinobalon offers a variety of films tailored to suit children of all ages.
Anniversary Programmes
Kinodvor’s programme for schools is part of Kinodvor’s award-winning educational programme for young audiences. Every school year, it provides a variety of films, talks and workshops for around 20,000 children and young people at all levels of their educational path. Also available for foreign language programmes and classes.
Rain-check Screenings
Sunday, 03. 11. 2024 / 19:00 / Main Hall
Anselm
Wim Wenders
Rain-Check Screenings / Kino3Dvor
English Subtitles.
Carrie Carrie
Brian De Palma
Sunday, 10. 11. 2024 / 19:00 / Main Hall
Carrie by Brian De Palma, based on Stephen King’s first novel, is a study of teenage anxiety with the iconic, Oscar-nominated Sissy Spacek in the lead role. Among its peers—the supreme classics and most beloved horror films of all time—Carrie remains the queen of the prom.
The Second Act Le deuxième acte
Quentin Dupieux
Sunday, 01. 12. 2024 / 19:00 / Main Hall
Quentin Dupieux (Daaaaaalí!) returns behind the camera with a provocative, absurdist yet hilarious love letter to terrible films and bad actors facing their characters and their lines. This is farcical, surrealistic cinema that only he is capable of – with a message, if not many – and starring his most A-list cast yet. Opening film of this year’s Cannes Film Festival.