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Animateka 2016

Festival Animateka 2016 Opening: Special Screening Otvoritev Animateke 2016: posebna projekcija

various

Rectangle et rectangles/Rectangle & Rectangles
René Jodoin (NFB)
Canada, 1984, digital, 8'35”
3D

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.

La faim/Hunger
Peter Foldes (NFB)
Kanada/Canada, 1974, digital, 11'25”
3D

In this animated short, director Peter Foldès depicts one man’s descent into greed and gluttony. Rapidly dissolving and ever-evolving images create a contrast between abundance and want. One of the first films to use computer animation, this satire serves as a cautionary tale against self-indulgence in a world still plagued by hunger and poverty.

Kuhina/Swarming
Joni Männistö (Turku Arts Academy)
Finska/Finland, 2011, digital, 7'18”

Ryan
Chris Landreth (Copperheart Entertainment/NFB/Seneca College Animation Arts Centre)
Canada, 2004, digital, 13'57''
3D

While Darwin Sleeps
Paul Bush (Ancient Mariner Production)
UK, 2004, 35 mm, 5'

Aubade
Mauro Carraro (Nadasdy Film/RTS)
Switzerland, 2014, digital, 6'
3D

Beach Flags
Sarah Saidan (Sacrebleu Productions/Folimage)
France, 2014, digital, 13'40''

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What's On

Black Tea Black Tea

Abderrahmane Sissako

Tuesday, 23. 07. 2024 / 18:40 / Main Hall

After saying “no” on her wedding day, Aya leaves the Ivory Coast to start a new life in Guangzhou, China.

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Miri Navasky, Maeve O’Boyle, Karen O’Connor

Tuesday, 23. 07. 2024 / 19:45 / Small Hall

An intimate documentary portrait in which the legendary singer and activist is unusually candid about her life on and off the stage.

My Crime Mon crime

François Ozon

Tuesday, 23. 07. 2024 / 21:00 / Main Hall

After 8 Femmes and Potiche, François Ozon returns with another witty comedy about women and fame, set in glamorous 1930s Paris.