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From 19 January 2019

I Act, I am Igram, sem

Miroslav Mandić / Slovenia, Bosnia and Herzegovina / 2018 / 105 min / Slovene subtitles, Croatian, Slovene, Bosnian

A triptich about what it means to be an actor, and the boundaries between actors and their roles.

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A young actress in preparation for the role of a thief finds herself stealing in real life, while her relationship with the young waiter who is besotted with her becomes ever more cinematic...In the midst of research for the role of a homeless man an actor visits a shelter and bonds with those who seek refuge there and romanticises the freedom of their lifestyle...An actor in a soap opera obsessively pursues his co-star, who tells him repeatedly that life cannot imitate art...

A triptich about what it means to be an actor, and the boundaries between actors and their roles.

Extra material (in Slovene only)

Igram, sem
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(in Slovene only)

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Fiume o morte! Fiume o morte!

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On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

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Winner of the Palme d’Or at Cannes.