The Box Office is open from 16:45 till 20:30 (will open in 11:44).

2nd International Conference on Film Education: Module 4

11 and 12 April 2018 at Kinodvor and the Slovenian Cinematheque: The Methods and Impact of Film Education

Module 4, Kinodvor
8:30–9:15 Arrival and registration of participants, collection of tickets for the selected modules (at Kinodvor’s box office).
9:30 Petra Slatinšek, Barbara Kelbl – Ten Years of the Kinobalon Programme. The Conception, Effects and Values of This Film Education Programme 
10:10 Petra Gajžler, Marina Katalenić – Primary School of Film. Maja Krajnc – Understanding Film –  Presentation of the ‘Understanding Film Information’ Website 
10:40–11:00 Coffee break
11:00 Jan-Willem Bult – From Cinemascope to Vertical Video. How to Engage Generation U in Cinema
12:00–12:30 Kristina Rešek – Making Films with New Technologies

Overall programme of the conference.

What's On

Mondays / Two by Amir Naderi

Cut Cut

Amir Naderi

Monday, 13. 04. 2026 / 17:45 / Main Hall

Shuji is a young filmmaker and devoted cinephile. He organises impromptu screenings of classic films on the roof of his apartment block and protests against multiplexes and the industry that is destroying the art of film on the streets of Tokyo. One day, he learns that his brother, who had helped finance his films, has been beaten to death by the Yakuza over unpaid debts. Shuji resolves to repay the debt by working as a human punching bag in the bathroom of the club where his brother was killed.

The Tale of Silyan Prikaznata za Siljan

Tamara Kotevska

Monday, 13. 04. 2026 / 18:15 / Small Hall

Inspired by ancient myths and folk tales, Tamara Kotevska’s film is a moving documentary fairy tale about a farmer and his unique bond with a white stork.

Two Prosecutors Dva prokurora

Sergej Loznica

Monday, 13. 04. 2026 / 20:30 / Main Hall

This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.