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    • Thursday, 12. 04. 2018

    2nd International Conference on Film Education: Module 4

    11 and 12 April 2018 at Kinodvor and the Slovenian Cinematheque: The Methods and Impact of Film Education

    Module 4, Kinodvor
    8:30–9:15 Arrival and registration of participants, collection of tickets for the selected modules (at Kinodvor’s box office).
    9:30 Petra Slatinšek, Barbara Kelbl – Ten Years of the Kinobalon Programme. The Conception, Effects and Values of This Film Education Programme 
    10:10 Petra Gajžler, Marina Katalenić – Primary School of Film. Maja Krajnc – Understanding Film –  Presentation of the ‘Understanding Film Information’ Website 
    10:40–11:00 Coffee break
    11:00 Jan-Willem Bult – From Cinemascope to Vertical Video. How to Engage Generation U in Cinema
    12:00–12:30 Kristina Rešek – Making Films with New Technologies

    Overall programme of the conference.

    What's On
    Last Screening

    The Love That Remains Ástin sem eftir er

    Hlynur Pálmason

    Thursday, 27. 08. 2026 / 18:10 / Main Hall

    An intimate look into the life of an Icelandic family as the parents navigate their separation. Featuring the director’s own children, the film explores the complexities of fading love and the impact of shared memories.

    Third World Treći svijet

    Arsen Oremović

    Thursday, 27. 08. 2026 / 19:30 / Small Hall

    Third World is more than just a documentary about Haustor, the legendary Zagreb band that left its mark on the former Yugoslavia’s music scene. It is the story of two creative opposites: Darko Rundek and Srđan Sacher. Through candid conversations, a studio reunion, and a wealth of archival material, the film reveals how the two artists’ sensitivity to the magic of everyday life once united their creative worlds – creating a third.

    Bitter Christmas Amarga Navidad

    Pedro Almodóvar

    Thursday, 27. 08. 2026 / 20:30 / Main Hall

    Bitter Christmas tells two alternating stories. One takes place in 2004 and stars an advertising director Elsa during a long weekend in December. The other, set in the present, features Raúl, a cult director working on a new script. Soon we discover Raúl is writing about Elsa, her boyfriend Bonifacio, and her friends Patricia and Natalia…  Almodóvar’s—always stylish—latest comes straight from Cannes!