Thursday, 12. 04. 2018

2nd International Conference on Film Education: Module 4

11 and 12 April 2018 at Kinodvor and the Slovenian Cinematheque: The Methods and Impact of Film Education

Module 4, Kinodvor
8:30–9:15 Arrival and registration of participants, collection of tickets for the selected modules (at Kinodvor’s box office).
9:30 Petra Slatinšek, Barbara Kelbl – Ten Years of the Kinobalon Programme. The Conception, Effects and Values of This Film Education Programme
10:10 Petra Gajžler, Marina Katalenić – Primary School of Film. Maja Krajnc – Understanding Film – Presentation of the ‘Understanding Film Information’ Website
10:40–11:00 Coffee break
11:00 Jan-Willem Bult – From Cinemascope to Vertical Video. How to Engage Generation U in Cinema
12:00–12:30 Kristina Rešek – Making Films with New Technologies

Overall programme of the conference.

What's On

The Last Viking Den sidste viking

Anders Thomas Jensen

Thursday, 16. 04. 2026 / 15:30 / Main Hall

Mads Mikkelsen stars as John Lennon in this bloody, Scandinavian-style black comedy about two brothers who embark on a journey to find long-buried treasure and discover themselves in the process. “Chiquitita, you and I know…”

Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 16. 04. 2026 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

Two Prosecutors Dva prokurora

Sergej Loznica

Thursday, 16. 04. 2026 / 18:00 / Main Hall

This film by Ukrainian director Sergei Loznitsa (A Gentle Creature, Donbass) is a Kafkaesque exploration of a totalitarian regime. It is suffused with an overwhelming sense of inevitability and laced with the director’s signature grotesque humour.