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    • Thursday, 12. 04. 2018

    2nd International Conference on Film Education: Module 4

    11 and 12 April 2018 at Kinodvor and the Slovenian Cinematheque: The Methods and Impact of Film Education

    Module 4, Kinodvor
    8:30–9:15 Arrival and registration of participants, collection of tickets for the selected modules (at Kinodvor’s box office).
    9:30 Petra Slatinšek, Barbara Kelbl – Ten Years of the Kinobalon Programme. The Conception, Effects and Values of This Film Education Programme 
    10:10 Petra Gajžler, Marina Katalenić – Primary School of Film. Maja Krajnc – Understanding Film –  Presentation of the ‘Understanding Film Information’ Website 
    10:40–11:00 Coffee break
    11:00 Jan-Willem Bult – From Cinemascope to Vertical Video. How to Engage Generation U in Cinema
    12:00–12:30 Kristina Rešek – Making Films with New Technologies

    Overall programme of the conference.

    What's On

    Late Shift Heldin

    Petra Volpe

    Thursday, 12. 03. 2026 / 15:45 / Main Hall

    Shot with the pacing and tension of a thriller, Late Shift follows a single night in the working life of a nurse in an overcrowded Swiss hospital. Both gripping and compassionate, the film is a tribute to the extraordinary people who stand by us in the most vulnerable moments of our lives.

    Fiume o morte! Fiume o morte!

    Igor Bezinović

    Thursday, 12. 03. 2026 / 16:45 / Small Hall

    On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.

    A Poet Un poeta

    Simón Mesa Soto

    Thursday, 12. 03. 2026 / 17:50 / Main Hall

    A film that captures the poetic reality of a neurotic poet, skilfully blending cringe comedy with an emotionally resonant story of lost and rediscovered hope. A singular work with an unforgettable central character.