Thursday, 12. 04. 2018

2nd International Conference on Film Education: Module 4

11 and 12 April 2018 at Kinodvor and the Slovenian Cinematheque: The Methods and Impact of Film Education

Module 4, Kinodvor
8:30–9:15 Arrival and registration of participants, collection of tickets for the selected modules (at Kinodvor’s box office).
9:30 Petra Slatinšek, Barbara Kelbl – Ten Years of the Kinobalon Programme. The Conception, Effects and Values of This Film Education Programme
10:10 Petra Gajžler, Marina Katalenić – Primary School of Film. Maja Krajnc – Understanding Film – Presentation of the ‘Understanding Film Information’ Website
10:40–11:00 Coffee break
11:00 Jan-Willem Bult – From Cinemascope to Vertical Video. How to Engage Generation U in Cinema
12:00–12:30 Kristina Rešek – Making Films with New Technologies

Overall programme of the conference.

What's On

Rendez-vous with coffee and talk / Sold Out

Little Trouble Girls Kaj ti je deklica

Urška Djukić

Wednesday, 18. 03. 2026 / 10:00 / Main Hall

Urška Djukić’s (Granny’s Sexual Life) debut feature explores the power of girls’ voices to overturn traditional ideas and patriarchal patterns through the eyes of a shy and sensitive 16-year-old girl, Lucija. The opening film of the Perspectives Competition and winner of the FIPRESCI Award for Best First Film at this year’s Berlinale.

Documentary Film Festival

Videoheaven Videoheaven

Alex Ross Perry

Wednesday, 18. 03. 2026 / 17:00 / Main Hall

Socio-cultural hub, consumer mecca, and source of existential dread; the video rental store forever changed the way we interact with movies. With narration by Maya Hawke over footage culled from hundreds of sources, Perry’s Videoheaven tells the story of an industry’s seismic impact on American movie culture.

Fiume o morte! Fiume o morte!

Igor Bezinović

Wednesday, 18. 03. 2026 / 19:15 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.