»Sweet Country is a Western. It has all the elements of the genre - the frontier, confiscation of land, subordination and conquest of a people and sweeping landscapes / … My main aim is to use the accessibility of the Western genre for audiences to enter the story and to be drawn into this world and so experience the issues faced by an occupied people. This immersive approach is designed to break down the cultural boundaries between us and bring us together.«
- Warwick Thornton
Sweet Country Sweet Country
1929 in the Australian outback. In an act of self-defence, Sam, a middle-aged Aboriginal man, kills a cruel and racist war veteran. Now, pursued as the murderer of a white man, he is left with no choice but to escape into the wild with his pregnant wife. This nuanced and exquisitely made film based on true events won the Venice Film Festival award for Best Direction.
Photos
What's On
Whispers in the Woods Le chant des forêts
Vincent Munier
Thursday, 18. 06. 2026 / 16:50 / Main Hall
Following his film The Velvet Queen, in which he searched the Tibetan highlands for the elusive big cat, nature photographer Vincent Munier now invites us on an intimate journey to his native Vosges Mountains. Together with him, we will immerse ourselves in the sounds, textures, and scents of ancient forests. The film won the César Award for Best Documentary.
Sandbag Dam Zečji nasip
Čejen Černić
Thursday, 18. 06. 2026 / 19:00 / Main Hall
A story of forbidden love in the Croatian countryside, Sandbag Dam won the Kinotrip Youth Jury Award at Ljubljana International Film Festival (Liffe), as well as four awards at the Pula Film Festival.
Kinodvorišče
/
Premiere
God Will not Help Bog neće pomoći
Hana Jušić
Thursday, 18. 06. 2026 / 21:30 / Kinodvorišče
The second feature film from Hana Jušić (Quit Staring at My Plate) is a darkly poetic neo-Western about a mysterious Chilean woman who brings unrest to a traditional Croatian shepherding community at the beginning of the 20th century. Blending elements of Wuthering Heights, Croatian folklore, and Jane Campion’s The Piano, the film earned its two leading actresses an award at Locarno.