»Sweet Country is a Western. It has all the elements of the genre - the frontier, confiscation of land, subordination and conquest of a people and sweeping landscapes / … My main aim is to use the accessibility of the Western genre for audiences to enter the story and to be drawn into this world and so experience the issues faced by an occupied people. This immersive approach is designed to break down the cultural boundaries between us and bring us together.«
- Warwick Thornton
Sweet Country Sweet Country
1929 in the Australian outback. In an act of self-defence, Sam, a middle-aged Aboriginal man, kills a cruel and racist war veteran. Now, pursued as the murderer of a white man, he is left with no choice but to escape into the wild with his pregnant wife. This nuanced and exquisitely made film based on true events won the Venice Film Festival award for Best Direction.
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The Ugly Stepsister Den stygge stesøsteren
Emilie Blichfeldt
Sunday, 28. 06. 2026 / 19:00 / Main Hall
The naïve and awkward Elvira is preparing for the royal ball, where she will compete with her charming stepsister for the affections of the handsome prince. However, her transformation into a swan has devastating – and repulsive – consequences. This dark, grotesque reimagining of Cinderella earned the Norwegian director the Best Film award at Sitges.
Pillion Pillion
Harry Lighton
Sunday, 28. 06. 2026 / 21:20 / Main Hall
This explicit and raw yet surprisingly tender film challenges our notions of what an ideal relationship should look like. It won the Best Screenplay Award at Cannes.
God Will not Help Bog neće pomoći
Hana Jušić
Monday, 29. 06. 2026 / 18:10 / Main Hall
The second feature film from Hana Jušić (Quit Staring at My Plate) is a darkly poetic neo-Western about a mysterious Chilean woman who brings unrest to a traditional Croatian shepherding community at the beginning of the 20th century. Blending elements of Wuthering Heights, Croatian folklore, and Jane Campion’s The Piano, the film earned its two leading actresses an award at Locarno.