»Sweet Country is a Western. It has all the elements of the genre - the frontier, confiscation of land, subordination and conquest of a people and sweeping landscapes / … My main aim is to use the accessibility of the Western genre for audiences to enter the story and to be drawn into this world and so experience the issues faced by an occupied people. This immersive approach is designed to break down the cultural boundaries between us and bring us together.«
- Warwick Thornton
Sweet Country Sweet Country
1929 in the Australian outback. In an act of self-defence, Sam, a middle-aged Aboriginal man, kills a cruel and racist war veteran. Now, pursued as the murderer of a white man, he is left with no choice but to escape into the wild with his pregnant wife. This nuanced and exquisitely made film based on true events won the Venice Film Festival award for Best Direction.
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The Love That Remains Ástin sem eftir er
Hlynur Pálmason
Saturday, 01. 08. 2026 / 18:30 / Main Hall
An intimate look into the life of an Icelandic family as the parents navigate their separation. Featuring the director’s own children, the film explores the complexities of fading love and the impact of shared memories.
Third World Treći svijet
Arsen Oremović
Saturday, 01. 08. 2026 / 19:45 / Small Hall
Third World is more than just a documentary about Haustor, the legendary Zagreb band that left its mark on the former Yugoslavia’s music scene. It is the story of two creative opposites: Darko Rundek and Srđan Sacher. Through candid conversations, a studio reunion, and a wealth of archival material, the film reveals how the two artists’ sensitivity to the magic of everyday life once united their creative worlds – creating a third.