On a ‘forced summer exile’ to a farm a young Icelandic girl begins to realise that the adult world is far more complicated and callous than she has ever anticipated.
The story follows Sól, a 9-year-old girl who is sent to distant relatives for a summer to work and to mature at their countryside farm. For Sól there is an added element: she's been sent away to the farm as punishment for shoplifting, and because her parents have split. The animals charm her, and she befriends a mysterious farmhand. The more acquainted she becomes with the ways of the farm, though, the more contradictions she notices, especially the uncle and aunt’s constant claim that nature’s laws are the reasons for their actions.
“In the film, the farmer and his wife stand for the very human desire to "keep house" in the wilderness that is human nature, whereas the farmhand stands for the opposite: a life of chaos and emotional freedom. This conflict is one of the main threads in the film, and one that both the girl and the farmers' daughter are struggling with; this conflict between wanting to be “normal” versus facing your true, complicated nature.” (Ása Helga Hjörleifsdóttir)
Ása Helga Hjörleifsdóttir
Born in 1984 in Reykjavík. Graduate of the Columbia University Film MFA program. She taught screenwriting at the Columbia University Undergraduate Film Department. She also holds a BA in comparative literature from the University of Iceland and the Sorbonne – Paris IV University. After graduating she worked as a freelance book and film critic. Her first feature film, The Swan, is an adaptation of a novel by Guðbergur Bergsson.
The Swan Svanurinn
What's On
Hamnet Hamnet
Chloé Zhao
Friday, 13. 02. 2026 / 15:10 / Main Hall
Chloé Zhao (Nomadland) imagines how a tragedy from Shakespeare’s real life might have inspired the creation of his timeless masterpiece Hamlet. Starring the exceptional Jessie Buckley and Paul Mescal, the film is a moving story about love, loss, and the healing power of art.
Venom Gift
Knud Leif Thomsen
Friday, 13. 02. 2026 / 17:45 / Main Hall
Thomsen’s Danish-style Teorema (1968) predating Pasolini’s is as double-edged as its title (gift meaning both “poison” and “married”). The director conceived it as a polemical tract against pornography and the moral decay of Danish society. But by filling it with nudity and hardcore snippets, he ironically paved the way for a censorship-free Denmark, which in 1969 became the first country to legalize pornography. The censors covered the explicit scenes with thick white crosses (making them somehow even more obscene). And it is precisely on such a historical 35mm print that we will have the pleasure to see the film!
Six Swedish Girls in a Boarding School Sechs Schwedinnen im Pensionat
Erwin C. Dietrich
Friday, 13. 02. 2026 / 20:10 / Main Hall
The first lady of French porno chic, Brigitte Lahaie, returns in the original instalment of the cheeky fan favourite Six Swedish Girls at a Boarding School—taking place before the young Swedes found employment at a gas station and well-deserved holidays in Ibiza and the Alps. Directed by the “Swiss Roger Corman”, Erwin C. Dietrich, the evergreen hit from our Socialist past and the once notorious erotic Kino Sloga is bursting at the seams with zany humour, mechanical invention, and healthy minds in oh, such healthy bodies.