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The Hill Where Lionesses Roar Luaneshat e kodrës

Luàna Bajrami / Kosovo, France / 2021 / 83 min / Albanian

The wildly poetic debut film by the emerging Kosovar director tells the story of three fearless young women on a quest for freedom.

In a remote Kosovar village, three girls on the brink of womanhood who feel their dreams have been stifled go on a quest for independence. Suffocated by the discrimination and abuse that is a constant in their village, the women decide to form a gang. Stronger together, they roam and plot revenge on those who have wronged them while creating pathways to explore their submerged desires. But their new-found freedom is not without consequence, and a hunt for the wild trio is soon underway.

“The situation in which the girls find themselves is meant to be extreme in order to challenge the viewer on what is often forgotten by adults, namely this rage that grows within us when we become aware of our condition. In each of us is a rage that has manifested itself, or it will. It will only take on different forms depending on the environment in which we are built. It is this awareness, this rage, that marks what is commonly known as the transition from childhood to adulthood.”
- Luàna Bajrami

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What's On

Dog on Trial Le procès du chien

Laetitia Dosch

Tuesday, 24. 03. 2026 / 18:30 / Main Hall

Avril, an idealistic lawyer with a fondness for lost causes, takes on the defence of Cosmos, a dog accused of biting three people. What follows is the first trial against a quadruped since the Middle Ages. Avril must win by any means necessary, otherwise her unusual client will face the death penalty. Winner of the Cannes Palm Dog Award.

The Stranger L'étranger

François Ozon

Tuesday, 24. 03. 2026 / 20:20 / Main Hall

François Ozon brings to the screen a striking adaptation of The Stranger, the iconic existentialist novel by Albert Camus.

Fiume o morte! Fiume o morte!

Igor Bezinović

Tuesday, 24. 03. 2026 / 20:40 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.