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EFA – Short matters! II. (2021) EFA – Short matters! II. (2021)

various / 72 min

Short Films Programme.

Flesh
Carne, Camila Kater, Brazil/Spain, animation, documentary, 2019, 12'

Five women, each in a different stage of their life, share experiences about their relationships to their bodies and how others perceive them.

Sun Dog
Dorian Jespers, Belgium, Russia, fiction, 2020, 20'

Fedor is a young locksmith in Murmansk, a frozen city in the obscurity of the Russian Arctic. His dreams corrode his relation to reality and open the door to a phantasmagorical universe; a second sun is rising above the Russian Arctic.

Uncle Thomas, Accounting for the Days
Tio Tomás, a contabilidade dos dias, Regina Pessoa, Portugal, Canada, France, animation, 2019, 13'

A tribute to the director’s uncle Thomas, a humble man with a simple and anonymous life. This is her acknowledgment how one does not have to be "somebody" to become exceptional in other’s eyes.

Invisible Hero
Invisível herói, Cristèle Alves Meira, Portugal/France, fiction, 2020, 27'

Duarte, a blind man in his 50s, starts to look for his friend Leandro, a Cape Verdean immigrant who mysteriously disappeared.

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What's On

Dandelion's Odyssey Planètes

Momoko Seto

Thursday, 30. 04. 2026 / 10:00 / Main Hall

Somewhere between computer animation, macro photography, and time-lapse footage, a gentle narrative unfolds about a world after the end of the world.

Last Screening

The Stranger L'étranger

François Ozon

Thursday, 30. 04. 2026 / 15:30 / Main Hall

François Ozon brings to the screen a striking adaptation of The Stranger, the iconic existentialist novel by Albert Camus.

Fiume o morte! Fiume o morte!

Igor Bezinović

Thursday, 30. 04. 2026 / 17:00 / Small Hall

On 12 September 1919, a troop of some three hundred soldiers under the leadership of the flamboyant war-loving Italian poet Gabriele D’Annunzio swooped into the Northern-Adriatic port town of Fiume, now Rijeka, wanting to annex the city to Italy. Over the course of the next 16 months, during what is regarded as one of the most bizarre militant sieges of all time his official photography team captured over 10,000 images. A century later, Igor Bezinović orchestrates a direct-action history lesson focused on the siege and its modern-day implications.